N. 7 (2021): Soggetti transnazionali e identità interculturali: il viaggio e il Sud Globale
Articoli

The Cosmopolitan’s Other through the Cosmopolitan’s Gaze: Refugee Representation in Helon Habila’s "Travellers"

Gold Antique Compass

Pubblicato 2022-03-31

Come citare

Banita, G. A. (2022). The Cosmopolitan’s Other through the Cosmopolitan’s Gaze: Refugee Representation in Helon Habila’s "Travellers". De Genere - Rivista Di Studi Letterari, Postcoloniali E Di Genere, (7), 143–155. Recuperato da https://degenere-journal.it/index.php/degenere/article/view/156

Abstract

The article tackles the problem of refugees’ representation by the cosmopolitans making up the postcolonial elite and the tension that such an operation engenders. Thereby, it offers a reading of Helon Habila’s Travellers (2019), which depicts the encounter between the cosmopolitan protagonist and a number of refugees trying to make a new life in the city of Berlin. Employing Gikandi’s critique of the cosmopolitan elitism characterising postcolonialism and its non-relation to the refugees’ life experiences in Between Roots and Routes (2010), it will be argued that the novel explicitly presents what Durrant (2020) calls “the failure of registration” of the refugee life from a position of privilege. By rendering this occlusion visible, the author’s representation tries to escape the danger of eliding the voices of the people represented.